The dawn of Digital Photography commenced when two scientists ( George Smith and Willard Boyle) developed the technology known as the ‘Charged Coupled Device’ (CCD) in the year 1969.
1. Introduction to First Digital Camera – Mavica
In the years following the invention, we had to wait for five years before seeing breakthrough technology in the field of digital imaging. In 1981, the famous world-class Sony Corporation introduced the first digital camera prototype, named Mavica (Magnetic Video Camera). But the first digital cameras intended for the mass market became available in the mid the nineties. For image editing visit https://www.isshpath.com
2. Digital Image Software and Printers
While a variety of manufacturers released different kinds of cameras for digital. None of them was as well-known as Kodak’s DC40 digital camera. Which was designed as the mass-market version. In the following years, Microsoft and Kinkos also collaborated with Kodak to create digital image-producing software workstations, as well as corner stores. Consumers could make use of these programs and corner shops to make photos on CDs and photo albums and also add digital images to documents. Additionally, IBM worked with Kodak to introduce the Internet-based network image exchange. At the same time, Hewlett-Packard was the pioneering company to create the first color printers that allowed users to print quality photos, which led to the rise of digital photography.
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3. True Digital Camera
The year 1988 was when Fuji created the first digital camera 1988, the DS-1P, which could capture images in the form of computerized files. The other unique feature of the camera was the internal memory chip that had a capacity of 16 MB with a battering store. This camera utilized CCD sensors that stored images digitally. Later, they could be transferred to a Personal Computer (PC).
In an earlier post, Stock Photography – Part 1, I talked about the fundamentals of getting established in the field of stock photography. Determining the areas or topics where you would like to focus on, as well as the prerequisites for performing professional or editorial photographs.
This is Stock Photography Part 2. I’ll discuss the ways you might want to offer and control the usage of your photos, either royalty-free (RF) as well as Rights-Managed (RM). Naturally, you’ll want to maximize the value of your efforts and hard work; therefore, make the right choice. RF and RM are two different things. Make sure you know the differences.
If you decide Royalty-Free is the method you’d prefer, here’s what you should be aware of. In contrast to many professional photographers,
I’m okay with licensing RF, as so long as you price your image correctly.
When using this RF system, the user typically sets the price based on the resolution and size of the photo. Smaller, low-res images that are commonly used on sites are sold at the lowest price. They are available within the sub-1MB space at 72 DPI, and the longest side is around 6 inches. High-Resolution licenses give your client an image that falls within the 8-20MB range or higher at 300 DPI, with the longest side being the one your camera can produce.
Royalty-Free licenses for stock images are usually used for commercial uses, and you’ll be required to create the appropriate releases. Be aware that if your client applies for an RF license, they can make use of the image in any way they want and publish it as often as they wish. If you are aware that you’ve lost a lot of control as well as potential earnings from the image, the issue of granting RF licenses is the best way to go.
Let’s look at some pros and cons of the RF license.
Pros: With RF licenses, you can renew a request for a stock image as many times as you want. There aren’t any exclusive rights granted, which means that images can be used by multiple publications or individuals simultaneously.
Pros: Since you can’t provide any exclusivity through RF, the price you can be able to charge for licenses will be lower than the amount you could charge for a Rights Managed license. As I mentioned earlier, ensure that you set the right amount. Insufficient control of images is the primary drawback to RF licenses. Another issue is once you’ve made the decision that you intend to offer an idea in RF, then you are unable to in the future decide to change it into Rights-Managed. Why is this? Most of the time, RM licenses provide some exclusivity.
It was moving to rights-managed licenses for images from stock. Pricing is quite different in this type of model, and RM is a viable option for editorial or commercial. In the case of RF, which is usually priced according to the size of the image, RM, on the other it, is priced based on the kind of usage and run. You can grant specific permissions for use to your clients, whether exclusive or not when it comes to publication; a release may not be necessary. In general, professionals utilize an RM calculator to calculate the appropriate rate for authorization.
To give an instance, the cost you’d charge an individual publisher who wants to use an image only for six months.
An estimated running time of up to 50,000 is much greater than the publisher that has similar requirements for non-exclusive rights. Why? The image is secured and cannot be utilized by anyone else for six months.
This is the main difference between the two. For the majority of the time, it is not always the case that quantity wins out.
